This post contains spoilers for “Nosedive”, the first episode of Season 3 of Black Mirror.
I have a love/hate relationship with Charlie Brooker’s Black Mirror. For the most part, it does exactly what it says on the tin: offers up a dark reflection of our world (or a near-future version of it) for consideration. While the reflection is usually somewhat askew, we can still identify aspects of ourselves staring back at us through the glass, which is what makes the series so uniquely disquieting. Part horror and part satire, each standalone tale of dystopia seems to whisper: “Watch your step, because this nightmare world is just around the corner.”
However, in its quest to satirize the technological and/or cultural phenomena that govern our world, Black Mirror often fails to engage with those phenomena in a meaningful way, falling back on smug technophobia and intense cynicism to propel the action towards the most horrifying conclusion imaginable. As Kathryn VanArendonk puts it “the show’s primary crutch is too often that it uses thought-provoking and fascinating foundations in order to reach the simplest, most alarmist possible conclusion about a variety of technological innovations.”
Nowhere is this weakness more apparent than in “Nosedive”, the first episode of the newly released third season.