wonder and reality in Pokémon Go

pokemon go

I was a Pokéchild. I had a biscuit tin full of meticulously sorted trading cards and an undefeated Psychic deck built around Alakazam’s intensely frustrating Damage Swap power. My sister and I religiously watched each new episode of the animated series as it aired on Sky One at 8am every morning. The morning they surprised us with a double episode finale, we were late for school. When the Gameboy release eventually dropped in Ireland and I got my sweaty little paws on Pokémon Red, I spent a long and indolent summer trading and battling on the green with the kids in my neighbourhood. I played so much that I would go to bed with the infamously tinny Pokémon music still ringing in my ears. Back then, the world of Pokémon was colourless and rigidly two-dimensional, the gameplay repetitive and the storytelling lacklustre. But for all its flaws, the contents of that little red cartridge instilled in me a profound sense of wonder and curiosity.

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Literally the most annoying power

I was eleven years old when the Pokémon craze swept through Ireland, which was also the average age of the protagonists in both the animated series and the games. I think, for many kids of my age, the near-universal appeal of the franchise didn’t come the collectability of the monsters nor the adrenaline of the battles (though these things were certainly factors). The beating heart of Pokémon was a world that said, “Hey kid, imagine if, instead of sitting at home and doing boring homework, you could be out travelling the world on an important mission with a loyal band of fantastic beast companions at your side?” It was an intoxicating proposition. When my Gameboy batteries were eventually confiscated and I was forced to go to sleep, I would indulge in detailed fantasies about what my life would be like if Pokémon were real.

Fast-forward to 2016 and suddenly the world of Pokémon is more real than that eleven year-old girl furiously tapping away at her Gameboy could ever have imagined. In 1999, the idea that almost everyone in Ireland would own a pocket-sized personal computer – one that could make video calls, respond to voice commands and surf the World Wide Web in full colour – was the stuff of science fiction. Now, my phone acts as a window to a parallel universe, an alternate world where vibrant monsters frolick in the streets. Pokémon Go creates a simultaneous sense of being privy to a magical secret and being part of a vast communal experience. The wonder is back and this time it’s on par with tumbling through the wardrobe into Narnia.

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imagining gender equality: the case of Skyrim

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“Why yes, it is perfectly reasonable to have a boob window in sub-zero conditions!”

“Wow, this game does not discriminate based on gender,” said my friend, as we watched a graphic cut-screen of my female orc merrily decapitating a heavily-armoured female Bandit Chief.

As someone who has spent over 800 hours of my life playing The Elder Scrolls V: Skyrim, part of me wants to agree with this assessment. In some ways, it’s entirely accurate. In Skyrim, there’s a distinct absence of many of the gendered tropes that put me off mainstream videogames. In all my extensive play time, I never felt like I was willfully ignoring offensive portrayals of my gender in order to enjoy the rest of the game. In Skyrim, as in many open world RPGs*, your character is completely customisable; their gender, their appearance and their skill set all come down your own choices. Both male and female bodies are equally idealized (though even the bulkiest lady body does not look strong enough to wield a warhammer). In general, female armour is not more revealing or sexualised than equivalent male armour. (Albeit, there are some female sets that have an inexplicable chest windows, which, considering the climate of Skyrim, always makes me think “wow her tits must be cold”.)

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When sexism is bad storytelling: the case of Tauriel

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Evageline Lily as Tauriel in The Hobbit: The Desolation of Smaug

One of the best things that happened in 2014 was that The Hobbit “trilogy” finally juddered to a halt, meaning those of us who feel obliged to see the films out of residual Lord of the Rings loyalty can get on with our lives in peace, at least until Peter Jackson finds his copy of The Silmarillion.

We meet lady elf warrior Tauriel in the second installment of The Hobbit, The Desolation of Smaug. If it feels like she was shoehorned in, it’s because she was shoehorned in. The book of The Hobbit is an unrepentant Victorian boys’ club. So, this is positive right? Actively altering the source material to be more inclusive! One whole new female character in nine hours of rambling and unnecessarily drawn-out plot? You’re welcome, feminists!

As a rabid Tolkien nerd and a card-carrying feminist, I desperately wanted to be positive about this new female character, created for my presumed benefit. Sadly, Tauriel is a case study in how not to write and insert a new female character into a pre-existing world or story. The first and most obviously problem is that she’s suffering from a lethal case of Strong Female Character syndrome.

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8 reasons Penny Dreadful’s surprise finale was utter nonsense

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“I will take control of my death by moping around being a fire hazard.”

Major spoilers for Penny Dreadful, obviously.

For the past two years I have been quietly enjoying Penny Dreadful or, as my pal Ádhamh calls it, Eva Green’s Weekly Hour of Scenery Chewing. It’s a slick little series about classic horror characters getting into scrapes with vampires against the delightful backdrop of Gothic Victorian London. The production is polished, the cast is stellar, the costumes are stunning and there are pleasing twists on familiar literary figures. It also has a complex and intriguing lady character as its main protagonist and I am not above admitting that I could watch Eva Green chew the scenery all day long. Truly, all was going well, until last week when a shock series finale killed off Vanessa Ives and the whole series ground to screeching and profoundly unsatisfying halt.

John Logan claims that this surprise ending was nothing to do with ratings and everything to do with serving the story, a claim on which I call hefty amounts of BULLSHIT because no writer could honestly claim that this rushed and truncated excuse for an ending was part of his vision all along. On the most basic level, so much of it made no narrative sense. Here are eight reasons why:

1. The gang’s all back together but… why?

Victor Frankenstein has had zero contact with Malcolm or Ethan for an entire season, but when they run into him by pure chance in the hallway in Bedlam they’re like, “Oh hey, we’re about to go on suicide mission to save Vanessa who you also have not seen in an entire season, want in?” and he’s like YES OK NICE TO SEE YOU WHY NOT! This contrivance seems to be purely for the sake of getting the old gang back together for the big finale, which is… why? I mean, Victor is cute and all, but he also spent the entire season trying to violently brainwash Lily into dating him again, which puts him squarely on TEAM VILLAIN. Victor Frankenstein is a bad person and he’s also fairly useless in a fight and also HE’S BEEN IN A DIFFERENT STORYLINE FOR THE WHOLE SEASON so why on earth did he have to be there?

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link farm #11: bumper crop

Manfeels Park is the best pun that was ever stretched to its logical conclusion.
Manfeels Park is the best pun that was ever stretched to its logical conclusion.

Hi pals! It’s been a while since I’ve updated, because things were very crazy at work, and then I was on holidays, and then I had roughly seven draft posts kind of halfway ready to go and just got paralysed and overwhelmed and decided I needed to lie down because blogging that’s just how it goes. Anyway. Here are some recent and not-so-recent articles I found equally entertaining and enlightening in the past month!

Patriarchy in action: the New York Times rewrites history Reclusive Leftist neatly busts open the myth that women have never invented anything or contributed to scientific advancement, then smashes it with a sledgehammar and throws the shards of patriarchal bullshit into the roaring furnace of common fucking sense.

Georgia Salpa, Catholic Guilt and Ireland’s Weird Misogyny The awesome Roisin Kiberd examines Ireland’s specific brand of “kitsch misogyny” as it manifests in Irish Models (not to be confused with models who happen to be Irish) “who occupy an uneasy cultural space between nation’s sweethearts and national joke.”

Women Who are Ambivalent about Women Against Women Against Feminism The Bloggess succinctly and hilariously sums up my feelings about that silly Tumblr that people thought meant the end of feminism or some bullshit.

Harassment by Robot Hugs Congratulations, you have found the only comic you will ever need for explaining the dynamics of sexual harassment to any well-meaning but otherwise obtuse men in your life.

Patriarchy’s Magic Trick: How Anything Perceived As Women’s Work Immediately Sheds Its Value Any idea why “medical doctor” is one of the lowest paid professions in Russia? Go on, have a guess…

No one is paying for my birth control but me A lot of people in the US are wringing their hands over employers having to “pay for birth control” for their slutty slutty female employees. That is to say, a lot of people in the US don’t seem to understand how their own incredibly fucked up health insurance system works.

All lead actors in The Gods of Egypt will be white because of course they will. But it doesn’t matter! Because race doesn’t matter! As long as all the main characters are white! This article is also a pretty good rundown of some of the more egregious cases of whitewashing in Hollywood’s recent history.

It’s The 24th Century, Shouldn’t We Have Fucked Up The Patriarchy More Than This By Now? Isn’t weird that science fiction can conceive of literally almost anything except a world without patriarchal norms? Also, is not taking your husband’s last name really an act of patriarchal subversion if “your” last name also inevitably comes from your father or your grandfather?

Manfeels Park is a webcomic that finds comments from real “hurt and confused men with Very Important Things To Explain”… and turns them into conversations between Jane Austen characters. And why yes, it is my new favourite thing on the Internet ever, in case you had to ask.

How to be Polite An entertaining and thoughtful personal essay on the “stubborn power of politeness”. As someone who is usually quite polite, but occasionally not polite AT ALL – and as a woman, which means my bog-standard politeness is often interpreted as a) a sign that I am a doormat or b) an invitation to touch my leg – it gave me a lot to think about.

link farm #10: easter easter

The Intensive Step-By-Step Guide to Relaxing is exactly what you need to this weekend
The Intensive Step-By-Step Guide to Relaxing is exactly what you need to enjoy this Easter weekend to the fullest

In other news, here’s a small sample of the some of the Internet I have been enjoying this week!

Dissent Unheard Of – Ashe Dryden unpacks some of the techniques typically used to silence people who speak up to promote and protect diversity. Focused on the tech sector, but applicable pretty much anywhere.

Why we should give free money to everyone – Turns out the best way to spend money on the poor might be to give money to the poor. Unconvinced? Read this great article by Rutger Bregman of Decorrespondent about consistent success of basic income experiments.

My Breakup with Exercise – This personal account from Leah of Talkin’ Reckless is a really good reminder that everything in moderation – including exercise – is the best way to live a sustainable healthy and happy life.

We’re not here for your inspiration – A reminder from Stella Young that disabled people don’t exist to put your problems in perspective, nor to illustrate your cloying motivational posters. Most of them are just trying to get through the day, just like their able-bodied counterparts, and no matter what Scott Hamilton says, they don’t owe you a good attitude.

These Female “Privileges” Suck – It’s no secret that I’m a fan of a good takedown, and this one from Sophieologie is a particularly satisfying annihilation of Thought Catalog’s latest puerile listicle. Sidenote: does anyone else feel sad that the once-useful concept of privilege is now deployed solely for the purpose of mudslinging, by people who have no idea what it actually means?

Glamour and Glitter, Fashion and Fame! And A Bunch of Dudes In Charge – A live action Jem and the Holograms movie, you say? YAY! A creative team entirely composed of dudes and the original (female) creator entirely shut out from the process, you say? Less yay. Kitty of Red Lemonade explains. With GIFs.

The Body Is Not Gender: Laura Jane Grace Of Against Me! Interviewed – Lovely thought-provoking interview with the lead singer of Against Me! about her transition process, her deeply personal new record and the reactions from her fans.

Your Map is Racist – Q. When is a map racist? A. When Greenland is as big as Africa and the equator has mysteriously shifted downwards so we can see more of Europe.

On Colbert and White Racial Satire: We Don’t Need It – In the wake of the #CancelColbert tweetstorm, Mia McKenzie cuts through the bullshit (as usual) and asks: what exactly white racial satire is doing for people of colour, and is it really more helpful than harmful?

RELAXING: AN INTENSIVE STEP-BY-STEP GUIDE – “You probably think of relaxation as an unattainable dream, if not just a myth altogether. Adhere to this guide with precision and get ready to experience the most rigorous relaxation of your life!”

“The Only Moral Abortion is My Abortion” – A fascinating series of accounts from physicians and counselors who have provided abortions to anti-choice women; in some cases, women who turned up to picket the clinic the day after the procedure.

because history or something

He's probably pissed off because Ygritte is far too sassy for a lady living in Ye Olde Generic Medievale Tymes
The King of the Ice Zombies also has a lot of opinions about historical accuracy in fantasy.

OK, Internet. New Game of Thrones just started, and I know we’re all very excited.[1] Before the deluge of internet commentary really begins, I think this is an appropriate moment to have a chat about the relationship between fiction and history, and more specifically the relationship between the fantasy genre and the specific periods of Euro-centric history from which it tends to borrow heavily. And specifically, to answer the question: what do we mean by historical accuracy?

It’s a tale as old as the Internet. Someone writes an article about a book/film/game/ interpretative shadow-puppet musical from the fantasy genre. Some members of the audience say, “Hey, I really like this thing, but I would like it more if the women were not being sexually assaulted quite so constantly and the brown people were not costumed entirely in Generic Tribal Chic.” Then, without fail, a deeply indignant nerd type will pop his head over the parapet of the comment box and let forth his ancient war cry: “BUT HISTOOOOOOORY THEREFORE YOUR ARGUMENT IS INVAAAAAALID!!!”

It may seem like I’m overstating for effect here, but this exact exchange just happened on a recent post from Media Diversified. Shane Thomas made some excellent (and, at this stage, well-worn) points about Game of Thrones and its race problems. This attracted the attention of one intrepid commenter, who didn’t bother to read the whole post but nonetheless left a long comment – equal parts condescending and clueless – which boiled down to, “The Mongols existed at some point, therefore Game of Thrones can’t be racist.” In his response, Thomas acknowledges that he is aware that history is indeed a thing, but the fact that history is extremely racist does not give a modern TV show set in a fictional world a free pass to also be racist.

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