fuck flattering: a performance

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Here is an exciting news! I am writing and performing a short one-woman show called Fuck Flattering as part of the Scene + Heard Festival 2017 at Smock Alley Theatre in Dublin. You can book tickets here.

What’s the show about?

Fuck Flattering is a performance piece about unlearning body hate. It’s about stepping off the hamster wheel of physical perfection. It’s about exploding conventional standards of hot and desirable, and finding beauty and power and strength in the wreckage.

In its current form, it’s part furious call-to-action, part no-bullshit crash course, part personal exploration of my own relationship with my body. I’ve written about my struggles and triumphs with body image in the past – Fuck Flattering feels like the logical conclusion of a long and turbulent journey towards learning to love the body I have right now, almost 100% of the time.

But the fun thing about Scene + Heard is that it’s a festival for developing work, so there’s going to be plenty of room for evolution built into the process between now and the end of February.

Will you be performing it?

I will! With my own body and my own voice! On the condition that I don’t expire from nerves before actually making it to the stage.

Where and when can I see?

You can catch Fuck Flattering for two nights – February 28th and March 1st at 8pm in the Main Space at Smock Alley Theatre. Once again, you can book tickets here. It is paired with another show called Handling It, a dark comedy about grappling with becoming a “victim” in the wake of sexual assault. A ticket for both shows is €10.

Making it safe for refugee women

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“I want everyone to live in a house and not in camps” – N, twelve years old, from Syria

Since the USA elected Donald Trump as its next president, liberal talking heads and Twitter personalities have been spending a lot a of time warning each other about the dangers of normalization. Normalization is the process by which certain actions, events or ideologies come to be accepted as a “normal” or even “natural” part of everyday life within a society. “Don’t let this become normal,” we tell each other with grave urgency, where “this” refers to the hurricane of naked corruption and mendacity that defines the political discourse.

Yet while all eyes are on the theatre of the US election and Britain’s shambolic exit from the EU, an ongoing and utterly abnormal crisis is becoming increasingly normalized. Europe is currently experiencing a refugee emergency on scale that has not been seen since World War II. In 2015, over one million refugees crossed into Europe – roughly half of them from Syria – and conservative estimates for 2016 show that this number will be similar or higher. Pictures of overcrowded dinghies adrift in the Mediterranean Sea were once a source of shock; now they’ve become par for the course. “Refugee crisis” has become a minor note in 2016’s relentlessly tragic news cycle. And the longer it drags on, the more entrenched the apathy becomes.

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the US Presidential election: symbols and shards

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by kris straub of chainsawsuit.com

1. The centre of the universe

I don’t often write about events the United States of America. This is a conscious choice. It’s too easy to slip into a completely US-centric worldview. I rarely feel a pressing urge to add my point of view to the endless, echoing din of thinkpieces and hot takes.  My own small country, despite its relative insignificance on the international stage, has its own host of social and economic problem that could use my time and energy. The USA is not the centre of the universe, even though it sometimes feels that way.

But sometimes something happens and you have to mark it, even if you have nothing new to say.

Sometimes you just have to howl.

2. To be clear

I’m not here to discuss the various merits and/or failings of Clinton and Trump. I’m not interested in Clinton’s emails or her lack of charisma and all the ways she wasn’t perfect enough to secure a precarious victory. I’m not going to write a lament for an alternate timeline in which Sanders trounced Trump. I’m certainly not here to rehash every single racist, sexist, selfish, underhand, outrageous thing that Donald Trump has done or said in his career, because you’ve heard it all before and you’ve already made up your mind. And because I’m fucking tired, and anyway, it’s over. She lost and Donald Trump is President-Elect.

3. The world turned upside down

I’ve been drowning in the deluge of opinion pieces, each pundit scrabbling around for a narrative that answers the terrible question: How could this happen? It was misogyny! It was racism! It was a white working class revolt! The last gasp of neoliberalism! The end of the establishment! Except the establishment is now a woman who worked too hard to get what she wanted and the saviour of the working class is a billionaire bully  who only cares about the working class as long as they’re screaming his name in adulation and baying for the blood of his opponents.

I don’t have coherent opinion. I don’t have a pithy analysis or satisfying explanation for what the fuck is going on. Sorry. And because of that, I almost decided not to write anything.

But you know what? Neat narratives about why things happen the way they do are part of the problem. Things are too fractured for neatness, too cracked for coherence. All I can offer is shards.Read More »

what Black Mirror gets wrong about social media

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This post contains spoilers for “Nosedive”, the first episode of Season 3 of Black Mirror.

I have a love/hate relationship with Charlie Brooker’s Black Mirror. For the most part, it does exactly what it says on the tin: offers up a dark reflection of our world (or a near-future version of it) for consideration. While the reflection is usually somewhat askew, we can still identify aspects of ourselves staring back at us through the glass, which is what makes the series so uniquely disquieting. Part horror and part satire, each standalone tale of dystopia seems to whisper: “Watch your step, because this nightmare world is just around the corner.”

However, in its quest to satirize the technological and/or cultural phenomena that govern our world, Black Mirror often fails to engage with those phenomena in a meaningful way, falling back on smug technophobia and intense cynicism to propel the action towards the most horrifying conclusion imaginable. As Kathryn VanArendonk puts it “the show’s primary crutch is too often that it uses thought-provoking and fascinating foundations in order to reach the simplest, most alarmist possible conclusion about a variety of technological innovations.”

Nowhere is this weakness more apparent than in “Nosedive”, the first episode of the newly released third season.

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imagining gender equality: the case of Skyrim

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“Why yes, it is perfectly reasonable to have a boob window in sub-zero conditions!”

“Wow, this game does not discriminate based on gender,” said my friend, as we watched a graphic cut-screen of my female orc merrily decapitating a heavily-armoured female Bandit Chief.

As someone who has spent over 800 hours of my life playing The Elder Scrolls V: Skyrim, part of me wants to agree with this assessment. In some ways, it’s entirely accurate. In Skyrim, there’s a distinct absence of many of the gendered tropes that put me off mainstream videogames. In all my extensive play time, I never felt like I was willfully ignoring offensive portrayals of my gender in order to enjoy the rest of the game. In Skyrim, as in many open world RPGs*, your character is completely customisable; their gender, their appearance and their skill set all come down your own choices. Both male and female bodies are equally idealized (though even the bulkiest lady body does not look strong enough to wield a warhammer). In general, female armour is not more revealing or sexualised than equivalent male armour. (Albeit, there are some female sets that have an inexplicable chest windows, which, considering the climate of Skyrim, always makes me think “wow her tits must be cold”.)

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When sexism is bad storytelling: the case of Tauriel

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Evageline Lily as Tauriel in The Hobbit: The Desolation of Smaug

One of the best things that happened in 2014 was that The Hobbit “trilogy” finally juddered to a halt, meaning those of us who feel obliged to see the films out of residual Lord of the Rings loyalty can get on with our lives in peace, at least until Peter Jackson finds his copy of The Silmarillion.

We meet lady elf warrior Tauriel in the second installment of The Hobbit, The Desolation of Smaug. If it feels like she was shoehorned in, it’s because she was shoehorned in. The book of The Hobbit is an unrepentant Victorian boys’ club. So, this is positive right? Actively altering the source material to be more inclusive! One whole new female character in nine hours of rambling and unnecessarily drawn-out plot? You’re welcome, feminists!

As a rabid Tolkien nerd and a card-carrying feminist, I desperately wanted to be positive about this new female character, created for my presumed benefit. Sadly, Tauriel is a case study in how not to write and insert a new female character into a pre-existing world or story. The first and most obviously problem is that she’s suffering from a lethal case of Strong Female Character syndrome.

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the meet-cute myth

The movie that started it all: It Happened One Night from 1934
It Happened One Night from 1934

It’s a tale as old as the internet. A piece of male douchery surfaces, one that perfectly epitomizes the harassment and male entitlement that women must navigate in their daily lives. The women gather together to gaze upon douchery and nod and say, “Yes, indeed, this really does sum up the problem.”

Cue the trolls, cue the misogynists, cue the willfully obtuse assholes. But also, cue Nice Guy™, who is hurt and confused by these women and their hostility, for he is sweet and gentle and thinks you really need to know how beautifully your eyes match your scarf today.

This guy will leave a long blathering comment (what is it about sexism that makes dudes so long-winded?) that boils down to: “Let’s make this entire conversation about educating me on how best to approach women in public. I would like a foolproof formula that doesn’t involve me actually thinking about women’s experiences or expending any empathy. Please and thank you.

And more and more frequently, women reply with a simple “Yeah, maybe just…don’t?

“Don’t what?”

Just don’t approach women in public? Like, why do you feel the need to talk to strange women? Maybe just don’t do it.

Cue the rage.

Fine, so I’m just not allowed to TALK to ANY WOMEN EVER!? HUFF PUFF FOOT STOMP.

Or, sometimes, the wounded self-pity.

 But but but if I can’t talk to women in public places, I will be FOREVER ALONE WOE IS ME.

There’s a lot of stupid in this argument, but I’d like to talk about the main stupid, which is the idea that modern romance – and consequently the human race – will somehow grind to a halt if men are not “allowed” to talk to women in public. You see, by not “allowing” men to talk to them in public, women are thwarting casual encounters, which are the only way people ever end up going on dates ever. If women are not actively seeking a meet-cute, Nice Guy™ is doomed to a life of impotently lusting after potential soulmates on every train platform, in every elevator, across the dusty vinyl sleeves in every quirky secondhand record shop in every city in the world.

Ted: I just gotta bump into her somewhere. Now if only I knew her schedule, I could arrange a chance encounter.

How I Met Your Mother

This idea is, obviously, ridiculous and has no bearing on reality outside of romantic comedies. (You know, those things that women purportedly base their lives around.) However, not only does it have no bearing on the reality of dating, it also actively clashes with the reality of being a woman in public.

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